1907-54 Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.   Related Paintings of Frida Kahlo :. | The Self-Portrait of short hair | Self-Portrait | Still Life Dedicated to Samuel Fastlicht | The Fruit of life | Frieda and Diego Rivera |
Related Artists:
Edward Robert Smythe
British 1810-1899
Agostino Brunias
Agostino Brunias (c. 1730 - April 2, 1796) was a London-based Italian painter from Rome. Strongly associated with West Indian art, he left England at the height of his career to chronicle Dominica and the neighboring islands of the West Indies. Painted in the tradition of verite ethnographique, his art was as escapist as it was romantic. Brunias was born in Rome c. 1730; the exact date is uncertain. His first name has been spelled in various ways including Abraham, Alexander, August, or Austin, while his surname has been recorded as Brunais and Brunyas. Brunias was a student at the Accademia di San Luca, Rome, where he won Third Prize in the Second Class for painting in 1754. An early oil painting of his was exhibited in Rome two years earlier.
John Jackson
(31 May 1778 - 1 June 1831) was an English painter. Jackson was born in Lastingham, Yorkshire, and started his career as an apprentice tailor to his father, who opposed the artistic ambitions of his son. However, he enjoyed the support of Henry Phipps, 1st Earl of Mulgrave (1755-1831), who recommended him to the Earl of Carlisle, as well as that of Sir George Beaumont, 7th Baronet - who offered him residence at his own home and ₤50 per annum - and was able to attend the Royal Academy Schools, where he befriended David Wilkie and B. R. Haydon. At Castle Howard, residence of the Earl of Carlisle, he could study and copy from a large collection of paintings. His watercolours were judged to be of uncommon quality. By 1807 his reputation as a portrait painter was assured, and he made the transition to oils steadily, if not easily, regularly forwarding paintings to Somerset House. After a visit to the Netherlands and Flanders with Edmund Phipps in 1816, he accompanied Sir Francis Chantrey on a trip to Switzerland, Rome, Florence and Venice in 1819. In Rome he was elected to the Academy of St Luke. His portrait of Antonio Canova, painted on this trip, was regarded as being outstanding. Jackson was a prolific portraitist, strongly showing the influence of Sir Thomas Lawrence and Henry Raeburn in his work. His sitters included the Duke of Wellington, the explorer Sir John Franklin and some noted Wesleyan ministers. His 1823 portrait of Lady Dover, wife of George Agar-Ellis, 1st Baron Dover, was widely acclaimed. He was a Royal Academy student from 9 March 1805, was elected an Associate of the RA on 6 November 1815 and elected a full member on 10 Feb 1817. John Jackson was married twice - the first marriage was to the daughter of a jeweller, the second to Matilda the daughter of the painter James Ward. He died in St John's Wood, London.